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Blog Archive
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2014
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June
(26)
- CRIMĂ – Teatru Platformă
- Musicals We Love
- Chorale – Bussey Building
- Quartett – Royal Opera House
- Programme notes: Heiner Müller
- Cărți Poștale de la Sibiu
- CRIME – Platform Theatre
- Then Silence – Platform Theatre
- Shorts: Mark Lawson reconsidered
- Mr Burns – Almeida
- Mraky / Clouds – Sala Studio
- Imn de Rugaciune (Kaddish) – Teatrul Gong
- Oidip (Οἰδίπους) – Teatrul Naţional “Radu Stanca”
- Orhidee (L’Orchidee) – Casa de Cultura a Sindicatelor
- Hai Iu Iu Nu Hey You You – Sala Thalia, Sibiu
- On Criticism – the Guardian years
- Spre Damasc (Till Damaskus) – Teatrul Naţional “Ra...
- Ping Pang Qiu – Sala Thalia
- Solitaritate – Teatrul National “Radu Stanca”
- Damned Be The Traitor of His Homeland – Sala Studi...
- Avarul (L'Avare) – Tearul National “Radu Stanca”
- Intriga si Iubire (Kabale und Liebe) – Casa de Cul...
- Postcards aus Theatertreffen III: diverse diversities
- Hystrio: Festivals and Companies
- Hystrio: buildings
- Postcards aus Theatertreffen II (guest round-up)
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June
(26)
Popular
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Caryl Churchill’s Seven Jewish Children is pretty much as blunt as The Stone is sharp; substituting an hour of subtle moral inquiry for t... -
Chris Goode recently wrote beautifully about one of those silly lists which lists “influential” movers, shakers, and, unaccountably, actors...
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[ postmodernism ] In 1997 Patrick Marber wrote ten minutes of stage-time which anticipated one of the biggest problems which was to fa... -
It feels like it’s been a while since there was a proper bun-fight in the miniscule world of theatre. Obviously there was the bit of unpleas...
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Rough Draft: This "review" is mostly by way of an experiment. Following Saturday’s post on the understanding of "signs...
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