skip to main | skip to sidebar

Postcards from the Gods

Thursday, 23 February 2017

The Stage: How the decline of criticism led to the rise of Trump

[written for The Stage: 19/01/17]


I wrote an apparently silly (but actually quite sensible) thing for The Stage in the vain hope it might cheer me up about the impending collapse of the entire world.

It didn’t, particularly.

Posted by Andrew Haydon at 11:14
Email ThisBlogThis!Share to XShare to FacebookShare to Pinterest

No comments:

Post a Comment

Newer Post Older Post Home
Subscribe to: Post Comments (Atom)

Blog Archive

  • ▼  2017 (102)
    • ►  December (2)
    • ►  November (7)
    • ►  October (7)
    • ►  September (6)
    • ►  August (20)
    • ►  July (7)
    • ►  June (2)
    • ►  May (17)
    • ►  April (13)
    • ►  March (12)
    • ▼  February (9)
      • A Midsummer Night’s Dream – Young Vic, London
      • Pygmalion – Headlong at West Yorkshire Playhouse, ...
      • Klątwa – Teatr Powszechny
      • The Stage: Klątwa – Teatr Powszeceny
      • Színház: A BÉNULÁS ELLEN
      • Postcards plugs – Contemporary Adaptations of Gree...
      • Színház: MI MIND FEHÉR FÉRFIAK VAGYUNK
      • Postcards plugs – Theatre Criticism: Changing Land...
      • The Stage: How the decline of criticism led to the...
  • ►  2016 (159)
    • ►  December (2)
    • ►  November (2)
    • ►  October (24)
    • ►  September (8)
    • ►  August (26)
    • ►  July (14)
    • ►  June (19)
    • ►  May (20)
    • ►  April (6)
    • ►  March (15)
    • ►  February (18)
    • ►  January (5)
  • ►  2015 (193)
    • ►  December (5)
    • ►  November (10)
    • ►  October (18)
    • ►  September (11)
    • ►  August (27)
    • ►  July (18)
    • ►  June (29)
    • ►  May (22)
    • ►  April (19)
    • ►  March (20)
    • ►  February (4)
    • ►  January (10)
  • ►  2014 (154)
    • ►  December (4)
    • ►  September (11)
    • ►  August (18)
    • ►  July (28)
    • ►  June (26)
    • ►  May (8)
    • ►  April (14)
    • ►  March (12)
    • ►  February (10)
    • ►  January (23)
  • ►  2013 (113)
    • ►  December (12)
    • ►  November (19)
    • ►  October (18)
    • ►  September (14)
    • ►  August (9)
    • ►  July (11)
    • ►  June (11)
    • ►  May (5)
    • ►  April (1)
    • ►  February (3)
    • ►  January (10)
  • ►  2012 (95)
    • ►  December (4)
    • ►  October (14)
    • ►  September (12)
    • ►  August (24)
    • ►  July (6)
    • ►  June (5)
    • ►  May (12)
    • ►  April (18)
  • ►  2011 (48)
    • ►  September (1)
    • ►  August (1)
    • ►  July (1)
    • ►  June (1)
    • ►  May (14)
    • ►  April (5)
    • ►  March (15)
    • ►  February (9)
    • ►  January (1)
  • ►  2010 (51)
    • ►  July (5)
    • ►  June (16)
    • ►  May (13)
    • ►  April (16)
    • ►  February (1)
  • ►  2009 (70)
    • ►  December (1)
    • ►  November (8)
    • ►  October (4)
    • ►  September (15)
    • ►  April (14)
    • ►  March (11)
    • ►  February (7)
    • ►  January (10)
  • ►  2008 (94)
    • ►  December (1)
    • ►  November (1)
    • ►  September (12)
    • ►  July (5)
    • ►  June (17)
    • ►  May (13)
    • ►  April (11)
    • ►  March (11)
    • ►  February (6)
    • ►  January (17)
  • ►  2007 (88)
    • ►  December (7)
    • ►  November (10)
    • ►  October (14)
    • ►  September (24)
    • ►  August (12)
    • ►  July (21)

Popular

  • Seven Jewish Children - Royal Court
    Caryl Churchill’s Seven Jewish Children is pretty much as blunt as The Stone is sharp; substituting an hour of subtle moral inquiry for t...
  • On casting, and on meaning on stage
    [ This is something of a work in progress. It’s also already much too long. It currently stands at 7,500 words and, frankly, that more tha...
  • The aura of election
    It feels like it’s been a while since there was a proper bun-fight in the miniscule world of theatre. Obviously there was the bit of unpleas...
  • The Doubtful Guest - Traverse Theatre
    It’s been a long time since a piece of theatre has made me quite as irritable as this. Hoipolloi’s adaptation of Edmund Gorey’s short pictur...
  • A letter from an imaginary female critic
    Michael, O, Michael, Dear Michael, I’m not sure you should have told people about me . But, now the cat is out of the bag, I feel it...
 

palpable hits