skip to main
|
skip to sidebar
Postcards from the Gods
Wednesday, 16 April 2014
NSDF'14: Three of the Best
[
written for
Noises Off
]
A thing
about seeing
A View From the Bridge
,
Birdland
and
Charles III
.
No comments:
Post a Comment
Newer Post
Older Post
Home
Subscribe to:
Post Comments (Atom)
Blog Archive
►
2017
(102)
►
December
(2)
►
November
(7)
►
October
(7)
►
September
(6)
►
August
(20)
►
July
(7)
►
June
(2)
►
May
(17)
►
April
(13)
►
March
(12)
►
February
(9)
►
2016
(159)
►
December
(2)
►
November
(2)
►
October
(24)
►
September
(8)
►
August
(26)
►
July
(14)
►
June
(19)
►
May
(20)
►
April
(6)
►
March
(15)
►
February
(18)
►
January
(5)
►
2015
(193)
►
December
(5)
►
November
(10)
►
October
(18)
►
September
(11)
►
August
(27)
►
July
(18)
►
June
(29)
►
May
(22)
►
April
(19)
►
March
(20)
►
February
(4)
►
January
(10)
▼
2014
(154)
►
December
(4)
►
September
(11)
►
August
(18)
►
July
(28)
►
June
(26)
►
May
(8)
▼
April
(14)
NSDF'14: Editorial #4 – Auf Wiedersehen
NSDF'14: Editorial #3 – Why Bother?
NSDF'14: Nothing – Spa Centre, Scarborough
NSDF'14: Punk Rock – Performing Space 2, Universit...
NSDF'14: Editorial #2
NSDF'14: Road – College Hall, Scarborough
NSDF'14: Three of the Best
NSDF'14: Your Fragrant Phantom – SJT, McCarthy
NSDF'14: Duck Pond – Holbeck
NSDF'14: Editorial #1
King Charles III – Almeida
Birdland – Royal Court
A View from the Bridge – Young Vic
On Secret Theatre...
►
March
(12)
►
February
(10)
►
January
(23)
►
2013
(113)
►
December
(12)
►
November
(19)
►
October
(18)
►
September
(14)
►
August
(9)
►
July
(11)
►
June
(11)
►
May
(5)
►
April
(1)
►
February
(3)
►
January
(10)
►
2012
(95)
►
December
(4)
►
October
(14)
►
September
(12)
►
August
(24)
►
July
(6)
►
June
(5)
►
May
(12)
►
April
(18)
►
2011
(48)
►
September
(1)
►
August
(1)
►
July
(1)
►
June
(1)
►
May
(14)
►
April
(5)
►
March
(15)
►
February
(9)
►
January
(1)
►
2010
(51)
►
July
(5)
►
June
(16)
►
May
(13)
►
April
(16)
►
February
(1)
►
2009
(70)
►
December
(1)
►
November
(8)
►
October
(4)
►
September
(15)
►
April
(14)
►
March
(11)
►
February
(7)
►
January
(10)
►
2008
(94)
►
December
(1)
►
November
(1)
►
September
(12)
►
July
(5)
►
June
(17)
►
May
(13)
►
April
(11)
►
March
(11)
►
February
(6)
►
January
(17)
►
2007
(88)
►
December
(7)
►
November
(10)
►
October
(14)
►
September
(24)
►
August
(12)
►
July
(21)
Popular
A letter from an imaginary female critic
Michael, O, Michael, Dear Michael, I’m not sure you should have told people about me . But, now the cat is out of the bag, I feel it...
The Nether – by Jennifer Haley [text review]
[ postmodernism ] In 1997 Patrick Marber wrote ten minutes of stage-time which anticipated one of the biggest problems which was to fa...
On casting, and on meaning on stage
[ This is something of a work in progress. It’s also already much too long. It currently stands at 7,500 words and, frankly, that more tha...
A Doll's House - Young Vic
Carrie Cracknell's production of A Doll's House opens with a set. It's designed by Ian McNeil, who is most famous for the ...
Critical distance
An idea that has been bothering me since returning from this year’s Fringe is the notion of “critical distance”, or rather: what is the prop...
No comments:
Post a Comment